Eleanor Levie HomeAboutEditorial ServicesBooksGallerySpeaker TopicsWorkshopsPast BookingsFree StuffLInks Contact Me

Inspiring Quilting: Elly's blog to boost your creative IQ

Archive for May, 2012

Gingko = Memory

Tuesday, May 29th, 2012

Who doesn’t love a gingko leaf? Possibly the most graceful form to be found in nature.  Each as unique as a snowflake, its veins radiating out from a sinuous, curvy stem into a blade that’s rippled or notched.  Of course, the essence of its beauty is its fan shape, conjuring up timeless Oriental serenity.  Which makes sense when you realize that the ginkgo is one of the oldest forms in nature. Fossils of early versions date back 270 million years–now doesn’t that make you feel young?  The  species survived the Pliocene age only in a small area of central China, where it has been cultivated for a very long time.  The proof is in the garden: there are some gingkos at Chinese temples that are thought to be over 1,500 years old.  And Europeans found gingkos in Japanese temple gardens more than three centuries ago.

So it stands to reason that many quilters who look east for inspiration find the gingko leaf to be a most evocative motif.  One such extraordinary talent is Lonni Rossi (LonniRossi.com), who often incorporates Asian inspiration  into her commercial fabrics for Andover, her one-of-a-kind silk screened fabrics that she creates in her studio and sells in her shop, and in her masterpieces. Here’s the art quilt Lonni made as a gift for her sister’s 50th birthday:

Harmony, by Lonni Rossi

How I envy the recipient!  But you know, any quilter can have a Lonni Rossi design: Her Seasons of the Moon is on the cover of my Skinny Quilts & Table Runners II (click here) and her Pocket Masterpiece is one of the cover models in my Unforgettable Tote Bags (click here). Check out Lonni’s website for other patterns and kits. And for more pure inspiration from Lonni, take a long look at this triple panel wall hanging that simulates a kimono. Lonni used her own hand-painted silk, and planted a gingko leaf for a focal point:

Triptych #1, by Lonni Rossi

Gingko leaves in the free-motion quilting, with decorative threads

Back to botany: The genus, sometimes spelled ginkgo, means “silver apricot” in Chinese and later in Japanese. The species is Biloba, bi-lobed, or two lobes. Strange names, and if you find them hard to remember, you may be one of many folks who take a form of Ginkgo Biloba to enhance memory. Knowing this, you’ll understand why I have often used the leaf motif in my Memory quilts. Here’s one about family, and if you knew the very skinny genus—er, genes of my peeps, you’ll get why this Skinny Quilt is called Stringbeans:

Stringbeans, by Eleanor Levie

If you happen to live on the internet and you see my blog today, you might think Memorial Day compels me to commemorate  memory, specifically lives lost in war.  And that would be most appropriate, as my father is a proud WWII vet, and these days, everyone I know hopes and prays that our military sons and daughters return safely from deployments overseas.

But what actually brought me to blog about gingkos is much closer to home. To be perfectly candid, it’s standing  in front of my home, on the side of our very narrow, historic street.  As you’ll see in the photos below, a curtain of green and then yellow leaves outside my home office window, and as the leaves fell, an autumnal yellow carpet on the streets are high on the list of reasons we fell in love with and bought this Center-City Philadelphia townhouse a year and a half ago.

 

 

Alas, lumberjacks working for the city took it down a few days ago. It was decided that it was too big, breaking up the sidewalk and street. But serendipity sneaked in. Months ago, we had asked the city to gift us a new tree on our side of the street.   Reasoning that we had the gingko, and that a different tree wouldn’t grow so big, we gave our preferences for three other options. But what do you know, another gingko was chosen for the site and recently planted with the help of volunteers from our civic association. This time around, it’s a clone of a better species that won’t grow as tall, yet will branch out high, to soar above our four-story building.  A happy ending…as long as I’m willing to wait until this blog is but a distant memory!

Tribute to Moms

Saturday, May 12th, 2012

Just in time for Mother’s Day! I’m sharing 3 of my fav art quilts on the subject (plus, one of my own).

“The Stove / Empress” by Susan Shie, 1999.  48”x 74”. An art quilt in her Kitchen Tarot series.  Lucky, as she’s affectionately known, describes her piece: “Here  the Stove is a big, warm, nurturing Mama of love and feminity! There are real “lucky” bottlecaps along the stove’s front, as well as many moonstones embellishing its surface.  The stove clock is a coffee can lid, and the burners are CDs. The stove control knobs are some kind of weird Indian things that resemble shisha mirrors.”

Pamela Allen works her usual magic with enchanting Picasso-esque faces, found objects, and a tap on the funny bone. This piece, “Single Parent Family,” looks back as her hard-working mom returned to Pamela and her sister, latch-key kids at a time when it wasn’t frowned upon.

 

We can all relate to the domestic crises Moms and other female heads of households face, as illustrated in this quilt by Pauline Saltzman. The title of the quilt says it all; it’s called:  All Stressed Out…No One to Choke…So I Might as Well Eat.”

Here’s a quilt I made for my mother:  A tribute to her as a potter and a Torah scholar. The Hebrew is a verse from Jeremiah, which says,

And if the vessel (s)he was making was spoiled,

as happens to clay in the potter’s hands,

(s)he would make it into another vessel,

such as the potter saw fit to make.

Jeremiah 18:4

My mother always says, if a project isn’t going well, I can always mush it down into a lump and start again.  And we quilters, if we’re not happy with our quilts, maybe we can make like the potter and cut them up and turn them into something different, right? or maybe there’s a mother- in-law or a daughter-in-law we’re not so fond of ? Well then, we can give it to them!

I love to endow such wacky folk wisdom in my presentations to guilds. Think about bringing me in next April or May for my “Not Just for Mother’s Day”    presentation. I wear an “I Love Lucy” get-up that ensures the laughs outweigh the tears of  nostalgia.

But as for this year–today in fact, Happy Mother’s Day to one and all!

Moony Over Quilting

Friday, May 4th, 2012

More luminous than any night so far this year:  this Saturday, May 5. Yup, we can all party heartier and longer for Cinco de Mayo, and after the Kentucky Derby.  Why? Cuz NASA predicts a Super-Moon: as much as 14% bigger and 30% brighter than other full moons of 2012.

Like everyone else, but especially women, artists, poets and songwriters, I get moon-struck, moony-eyed, over-the-moon-thrilled with a big, beautiful moon. It always makes me wax eloquent!

And I’d like to say that was enough to inspire me to make the quilt shown on the right. Alas, sheer desire just ain’t enough for this busy broad.  I had two impetuses (impeti??)—Take Two: I had two compelling reasons to make “Blue Moon” (which BTW means the second full moon in a month).   One: The Blue Moon auction to benefit one of my favorite causes: my local Planned Parenthood. And two, a place to complete work done in a workshop— a once-in-a-blue-moon opportunity to learn from the amazing Roberta Horton.  Roberta calls the class Japanese Patchwork, and it involves Yukata cloth, but for my mooney, er, money, it’s visionary—and fun— in terms of working with any large-scale print.

To extend and complement the patchwork, I made a great big circular applique. Starting with a mottled gray fabric, I sponged and stamped white and slate fabric paint to suggest craters and valleys. I cut out a perfect circle from thermal template plastic, and cut the painted fabric 1/4″ larger all around, then pressed the edges under with my iron. Almost as rare as a blue moon: me doing needle-turn applique!

My patchwork sections asymmetrically bookending the moon, I was ready for my favorite phase, other than lunar:  free motion quilting. Around the moon: song titles and lyrics referring to the moon. Elsewhere, phrases of a word-play  lunatic:

It was worth the frustrating struggles that glitzy thread often poses!

Another frustration was that auction: The auctioneer didn’t know enough to describe it in lustrous terms and started the bidding at an embarrassingly low figure. Attendees were left in the dark as to the amount of work, detail, and  customized connection to the cause.  My husband was willing to up the bidding and even win the piece, but that seemed looney or smacking of bad-sportsmanship. The following year, this quilt did only slightly better:

Ah well. Winsome, lose some. In quilting, I am an amateur—a lover of quilting who doesn’t sell her work. Charity auctions—especially annual ones—have me working in a series, trying out new ideas, and open up a way of assessing the value of my art. I say, if you don’t have what it takes (read, millions) to be a philanthropist, at least you can contribute a quilt!

 

 

 

 

That’s my seque into my current project: Just started my quilt entry for the Alliance of American Quilts 2012 contest. This year’s rules require a house shape…and my piece just might have a moon in the window! It’s a great cause, and a good way for those who lack confidence in the value of their art to be a star, show their work to very appreciative, supportive viewers, collect “votes” of confidence , and get a sense of value in what you do, and a sense of achievement, too.  The deadline is June 1, so we all better hurry! When the next full moon in June occurs (the 4th), it’ll be too late.

Oh, I forgot to mention–there are incredible prizes for the contest winner. I’m gonna shoot for the moon. How about you?